BROTHER JOSEPH BELANGER Part II

Marist College

Poughkeepsie, NY

Transcribed by Nancy Decker

For the Marist College Archives and Special Collections
Transcript – Brother Joseph Belanger

Interviewee:  Brother Joseph Belanger

Interviewer:  John Ansley

Interview Date:  25 March 2002

Location:  Archives and Special Collections Reading Room at Marist College

CD No.: 

Topic: 

See Also: 

Subject Headings:

Bélanger, Joseph Lucien Roland
Marist Brothers—United States—History
Marist College—History
Marist College (Poughkeepsie, N.Y.)
Marist College—Social Aspects

Summary:       This inter view touches on a wide range of topics concerning the history and development of Marist College. In particular Brother Joseph discusses the Marist Abroad Program the Theater Program and the Foreign Film Program.


“BEGINNING OF INTERVIEW”
John Ansley:  In your previous interview, you discussed the development of Marist College. Today, I would like to ask you, what your life was like on campus, first as a student, as a student brother, and then as a professor. To help put things in perspective for current Marist students, would you briefly discuss the mission of the Marist Brothers and the history of the order?

Brother Joseph L. R. Bélanger:  The Marist Brothers were founded as a teaching order primarily, in eighteen seventeen for lets say the marginalized, not for city kids, but for country kids in France. Now that has been modified considerably in the course of the history as is normal, but we're still very, very committed to the marginalized. We just opened a school for example in East Temore, just this semester. I was very surprised; where are we getting the brothers? We still have people that are very committed to that type of work and then Brother Paul opened two schools in Pakistan, Sargodha and. So, marginalized, remain a concern; so that's why we would like to have scholarship money at Marist College so that it doesn't become a college just for the rich, but to be able to help a lot of people, as we have done for years. Then we came to the United States in eighteen seventy-six, but we were attached to Canada. In nineteen eleven we were detached, administratively from Canada. We grew very well, first of all with French Canadian Brothers, and then with the Irish Brothers. We did have, oh about a half dozen black brothers along the way, but it's very difficult for them and they all left. There's not one African American Brother who stayed. We have about half a dozen or a dozen Latino's now. They are doing very well this changes culturally. In nineteen fifty-eight, we became so numerous; about five hundred, that the brothers were split in two administrative groups. That lasted until now, next year we will regroup into one, since we have gone down to, I don't know the exact number, maybe two hundred sixty right now.

JA:  That's very interesting

JLRB:  We exist in seventy-two countries in the world. Our most powerful presence, actually, is in Spain, Brazil, and Australia. We're considered the top educators of Australia, which is the only place where we beat out the Jesuits [Laughter] we've done very well. Brazil is very good, Spain, Mexico, we do well. Right now, for the future of the brothers, we have fifty-two candidates that are primarily of course, in the third world, Africa, Latin America, and Asia. This is, people wonder if they come in for social upward mobility or they come in for religious commitment. I guess it's a combination of that…. why did I come in? I came in because they were my teachers and I liked them. They were great guys. I came in and every year my dad used to ask me, you know, you don't have to stay if you don't want, you can come back home any time you want, and I would tell him, I'm happy. I mean why change? It varies, but the fact that most of our candidates are in the third world today, brings us back to our roots of serving the marginalized. It's a good thing; the future, who knows? We don't worry about it; it's all in God's hands.

JA: When did you first come to what is now called Marist College?

JLRB: I came to the property, here on the campus in nineteen forty-two, for what we called a novitiate. That's a two-year stint, where at that time you finished up high school, senior year, and then had one year entirely devoted to religious studies. Then, I worked for a year, nineteen forty-four to forty-five for one reason or another; a half a dozen of us are selected to work in the garden, in the laundry, in the print shop, cooking, and so on. They asked me to work in the laundry here, which is now Marian Hall. I worked there with Brother Bob Kiley, and I didn't have enough work for the week; I became very proficient in ironing shirts, in about two minutes and ten seconds, I could do a shirt. [Laughter] Then they asked me to work with Brother Tarcisius, in the print shop. I worked with him and I did linotyping and hot lead printing and so on. I continued that for about six or seven years afterwards, even when I got to the college and then when I went outside teaching, I would come back on occasion to help him out, when he was swamped. After forty-five, then I came here full time as a student. I was on the same property, but I came as a full time scholastic, we were called. At that time of course, it was Marian College, and it was called Marian, because Brother Paul occasionally gets poetic. He said, well, we're Marist Order, dedicated to Mary and St. Ann, the mother of our Blessed Mother, is the patroness of this providence; St. Ann's Hermitage. He said, why don't we call the college MaryAnn?  It was Marian from forty-six when we got the charter, to I think, nineteen sixty. In fifty-seven, we opened up to the non-brothers and we had an admissions office and Brother John Malachy was in charge; Director of Admissions. One Sunday afternoon, in the basement of St. Peter's, after the Giant's football game, we would talk and he said, "I can’t get anybody to come to Marian College, we've got to change this name." It was then, by a very casual vote, on a Sunday, late afternoon, that we said, "Why don't we call it Marist; that way everybody around the world will know, recognize Marist." I think it was an excellent choice. We had debated, the Jesuit style, calling it Poughkeepsie College, and then we thought of Mid Hudson College, but all else faded when somebody said, Marist, and everybody in the world will recognize it. Then I stayed here three years. We used to all finish in three years because we had summer school and intersession school. I graduated in forty-eight, in the second graduating class. There were eleven of us in that class. Then I went out teaching and Brother Paul brought me back one summer, in the summer of fifty-six, to teach a course in English. I had been an English major, and I had finished my masters in English; so I taught the history of the English novel. Then I went back to Wheeling, West Virginia in the summer of fifty-seven he brought me back to teach French. I had been certified for French, and so I taught two summer courses here, before coming back permanently in fifty-nine. I came back because of Brother Paul. I also owe my life to Brother Paul. Before we graduated as English majors, eleven of us, there were five or six of us who where very proficient in French so Brother Paul said, take the state test in French so that that way, you will be certified for both English and French." We took the state test in French." Brother Paul never told me my grade, but he did say it was excellent and I guess he never forgot that. When it came time for me to go to Europe for a semester of religious studies, I said, "Paul, I really don't think I know French enough, and could I stay an extra year in France?" Work on the principle, that all he could do was say no, nothing lost; but he said "Yes." I was tickled pink; I looked around and I found Middlebury College running a masters in France, of course the best language school in the United States generally. At that time, I wasn't aware of it's pre-eminence; I just wanted a masters at the end of a year in France. Then he came by; Brother Paul came by at half year, and took me out to dinner as he always does with people, he's a con sum politician. He said,” you know why." I said "Yes," I said "Well, just professional roficiency." He said “no, no." He said, "I started a college in Poughkeepsie and that's where you are going next year." When I finished my year abroad, I came here in the fall of fifty-nine, and I’ve have been here ever since.

JA: Ok, good. Back up just a bit. When you started the novitiate in forty-two, how old were you when you arrived?

JLRB: At that time, we, Cannon Law forbids people to make vowed commitments before the age of eighteen, we were eighteen at the end of that year; so when I arrived; I would have been seventeen in July when I arrived, I was seventeen. At the end of the first year, then we make a commitment and you have to be eighteen.

JA: You mentioned there were eleven brothers in your graduating class, did you start out with eleven or was there a few more?

JLRB: No, we start out with many more, we started out with, I don't know exactly how many, and then, generally speaking, the graduating class is also the profession class, as a brother. Since I worked, I was delayed a year; so that the people who graduated with me, were the group behind me, a class behind me. They must have started out, I would say in that class that class was bigger, I would say probably, twenty, twenty-five. Those that finished, eventually, of course in the course of the three years, some are dismissed, asked to leave the brothers, and some others were asked to leave the scholastic aid. They were never considered, well, for one reason or another, good enough religious to be allowed to continue and maybe a little bit more mature, they could start teaching a year ahead; before finishing their bachelors, and then in the course of teaching in New York City, they would finish their bachelors and get their masters. After you got your masters, generally speaking, you would transfer out of New York City to give somebody else a chance to get in there.

JA: When you graduated, was there a formal ceremony, did family members attend?

JLRB: Yes, Brother Paul, to get the college going, had excellent contacts in Albany. I remember his talking about… and excellent contacts at Catholic University. We had a sort of piggyback arrangement; we had had from nineteen twenty-nine, with Fordham, the brothers did two years here and then two years at Fordham, and graduated. We also arranged a piggyback process with Catholic University. For our graduation, in Marian Hall, the old gym, I remember, Roy J. Deferrari coming and speaking, which was very interesting because I think the year before, the first graduating class, there were only four and I don't think they had a formal speaker. They had some kind of graduation day, but no formal speaker that I recall. I do know we had Roy J. Deferrari, who was chancellor of Catholic University. Rather prestigious. It wasn't for our parents or friends, it was just an in house thing. My parents did not come, or brothers and sisters. I remember my mom and dad coming to New York City for my masters but there was no outside major welcome lets say for the graduation here. It was an interesting point, and I don't know why, because we were allowed visits, and parents came often and our friends, I just, perhaps the thinking was, that we're religious and we're supposed to be humble. The humility, simplicity and modesty are the three characteristics that are attributed to us, so maybe that was the thinking could be. The parents and friends were definitely not there. Then we used to… the life style for the brothers then; you know my college was radically different from the college students today. Evidently from forty-seven's class, to sixty's class where they were all brother our life, our training, our life style was all-monastic. We got up at five thirty in the morning, we said prayers at ten to six, and we had meditation at six. We had mass at six thirty, followed by breakfast and then what is called employments; we all used to do about a half hours work around the house to tidy up the property. Then we were in class by eight thirty. The classes were great, because they put the best teachers, some of the best teachers here, Frances Xavier Benoit for example, she was a great, great teacher. We did very well. Then, Brother Paul, when he was getting the college accredited, needed doctorates. He contacted a Dr. John Schroeder, in town, at Arlington High School. Dr. Schroeder agreed to come to Marist; he had a DED from Columbia and he was a magnificent human being, a model Quaker. Unforgettable individual, unforgettable. At Marist, he came here, I would say in forty-five, forty-six and then stayed. Spent his whole career, retired from Marist around seventy, seventy-one, and died. His wife, Eleanor is still alive in Florida. Then, also when we were going through we had nobody for American Literature; so Brother Paul went to Vassar, and he said, "I need somebody here in American Literature, you know, this little college across town there, could we hire somebody for an extra cost?" We got a Dr. John Christy, who had just started at Vassar and spent his entire career at Vassar, is now retired. He was the typical young professor; feed him facts. [Laughter] He was good, he was very good, but then he got sick in the middle of the year. He was replaced by a Van Wyck Brooks. In American Literature, there is a very, very famous Van Wyck Brook; critic a historian and I never tracked down whether he was the one that replaced Christy for about two weeks. It was for Moby Dick, I will never forget that. Van Wyck Brooks was the typical experienced teacher, who sat back and simply asked questions; did you notice this? What do you think about that? Radically different from Christy, and a very fine experience. Then Christy came back, good man, we got very good teachers, the caliber of teaching was excellent. Then we got total liberal arts, we had chemistry and we had mathematics, we had history, philosophy, and lots of philosophy. People at that time, until about nineteen sixty, all the brothers who graduated had over a hundred and forty credits. Then when John Malachy said, "if I'm recruiting students here, lay students, they are not going to sign up for a hundred and forty credits; we've got to cut back to a hundred and twenty." So we cut back to a hundred and twenty. It was also a change that Brother Paul had decided, I don't know why, to base the GPA on three instead of four; so that an A was ninety-five to one hundred; a B was eighty-five to ninety four, and so on. So that only the early brothers went through that system. Which is a blow to our egos, but anyway, now that's all in the past and who cares? [Laughter] If you try to translate that into a four 0, would be interesting, especially getting a ninety-four and calling that a B; with no plus' or minus’, so anyway, but we changed that also, with the name and number of credits and the four 0; now it’s all changed in nineteen sixty or there a bouts in order to accommodate the lay students. We did very well in those early years; fifty-nine, sixty, sixty-one, let’s say; first graduating non-brothers was sixty-one, as a class. There were tensions, because the brothers had owned the place, and here these outsiders were coming in and gradually taking over and becoming more and more numerous, and there was a little friction at times. Evidently, the brothers used to rip off all the A's and B's. They were top students; they were committed students, but there were some very bright lay students that came in, in those early years. We have two of them Jimmy Callahan in mathematics, and Jerry McKenna in biology, who later became a psychiatrist; both of whom held Professorships at Harvard. They were competing with say Bob O’Handley who has been at MIT for decades now, about thirty-five years, and then like Greifenstein who became a research chemist at Oak Ridge. Over all, the best grades were taken by the brothers. Then, when I came, as an English major; I had a masters in French and a masters in English, Brother Kieran Thomas Brennan was in charge of the student brothers. He had taken over after Brother Paul went to Rome in fifty-eight and was elected Major Superior, so he needed a replacement here. As head of the student brothers, Brother Kieran replaced him, and as president, Richard Foy, replaced him. Kieran was extremely happy to see me, because he could dump theater on me every year, [Laughter] well in fact sometimes two plays a year. Seeing me come in, he said “Joe, all yours, you take over the theater." So we got the student brothers and we put on a play, The Strong Are Lonely, about the Jesuit reductions in Latin America, somewhat like the film, Mission. A very good play by Fritz Wildhauser. We put this play on about…we ended three weeks, four weeks at most before the end of the semester. The lay students’ president was John Donnelly, was so upset they came to see me. They said, “You put on a play with the brothers, you have to put on a play with us.” I said, Wow, John, exams are around the corner. “He said, “I don’t care, you have to put on a play with us.” So then I went to see George Sommer, the head of English, because I wasn’t much into theater and I asked George for a suggestion, all male no womenaround, all male. He said "Joe, why around, all male. He said” Joe why don’t you try somebody in French Sam Beckett, Waiting for Gobot. So I got it, and sure enough, that’s what we chose and put on. It was not a polished production, but it was a polished interpretation. The week we finished, it was on PBS, so we all watched it, everybody knew all the words and we said we think our interpretation was better. One student from here, Bob, Spanish major, I forget his name, Bob, went on to an MFA, at Catholic University, which has one of the top drama departments in the country. He then became a professor at Queens College in New York City. So we did pretty well. At the end of that year, Linus Foy, got me and said, "Look Joe, you have to get a doctorate and your not going to do that by putting on plays; you have to commute to New York City and start hacking away.” So I Said, "Ok." He said, "We'll hire a drama coach, part time.” He looked around, and he found the Dutchess County Players, locally, and he asked about five of them, and it was no, no, no. Then they suggested a hairdresser in town; Jim Britt. He discussed it with me and I said, "Well, you can't hold that against him, give him a chance. I would hope that he’s OK.” He was a gem; Jim Britt, we could not have hired better. He did marvelous with our students. He came on board in fall of sixty, and he stayed here until he died. He got his bachelor's with us, and then he dropped dead one day; heart problems. A magnificent choice. After that, I stayed on as moderator and Dr. Lanning replaced me as moderator, and then eventually, Gerry Cox, who is still here. That defeated the tensions. I recall, fisticuffs on one occasion, not often well maybe twice. I remember distinctly once, who was going to use the gym; the brothers said, “It’s our gym. At that time we didn't have McCann, we didn't have Champagnat, the gym was the theater, also. So there were tensions, but not let's say with the gradual turn around in numbers. The brothers, let’s say, in the fifties, they were up to about one hundred forty, maybe even t one time, Brother Paul say's, one hundred fifty; and then you have the sixties with all the turmoil, Vatican II as well as Vietnam, so that the number of Brothers dropped dramatically in the course of the sixties. Then we grew dramatically, the people who studied the high data say, I was amazed at this, the growth rate for Linus Foy, for twenty years was as much as the growth rate for Dennis Murray. I would not think that, but those who study the buildings and the number of students, they match. We did very well. Linus Foy was a top-notch educator and administrator, superb. When we went co-ed, in nineteen sixty-eight, I guess; we drew much better than we figured we'd draw. We were swamped with women, we said “wow”.  So the reputation was out there, we were a good school and we were also; let’s say liberal there that I was running, and then when we were going co-ed residential, I was asked to get a couple of students and go around and visit co-ed colleges. We went to Elmira; we went to Harvard College, then we went to Molloy, with students. We would spend the day there, talk with everybody, then we would come back in the evening and say, “Well what do you think?" Well, the one student, I think was Bill Paccione, who’s now a Hyde Park teacher, Bill, when we left, got into the car, and left Molloy, he said, “Boy, I’ll take all their buildings, but I'll take all our policies." They’re beautiful buildings at Molloy, beautiful and resident advisors have suites. Marist didn't have any luxuries in the sixties and the seventies, but our policies were very, very attractive. We had discipline, but we also let people grow up. Linus Foy believed a college existed for the students, not for the teachers and not for administrators, it exists for our students; let them grow up; educate them, control them, but basically, let them grow up. It was very good policy.

JA: That's interesting; I think you are one of the first people we have interviewed who started commenting on the living arrangements for the male students coming in, the secular students, and then the female students coming in, that was good. I'd like to get a few details from you about, concerning some things like the keys. I know you talked about your key was working in the type center. Do you know why it was called that? Why specific jobs that were assigned to the student brothers were called keys?

JLRB: Were called keys? Oh yes, in other words, we were in charge of this particular department, so we had the keys, and nobody did anything in that area without checking with us.

JA: So you physically had the keys?

JLRB: Yes, right. Now, the lifestyle, something I think that is important to mention. Evidently, the brothers all lived in a common dorm; we didn't have individual rooms. We also had a building project we had to put up; Marian Hall; that was finished in forty-eight. Then we also were working across the river, in Esopus. I don't know if you have been their John.

JA: Just once.

JLRB: We were allowed lets say the standard two cuts a semester, so we would all stay healthy, because we needed those two cuts for a weeks work. A group of us, we would rotate, maybe a half a dozen a week would miss classes and then help build Esopus, and help build the gym. That was needed; so we did a lot of physical work. We played lots of sports, we had great athletes, Pat McGee, and Mike Shurkis, and, John Bosco, they were very good athletes. These people could have made semi-pros anyway. And one of them who was in charge of us, Brother John Berkmans, back then, could have been professional, hockey player. We had very good training, softball, baseball, basketball, association football, there was no soccer then, it just wasn't known. Of course in part of our life as a brother we didn't have radios and T.V. was not yet in, in the forties, so the lifestyle was very different. The other thing we had, Brother Paul had started, he had notified the superiors in Europe, that Marist College was now a four year college, and if they wanted to send student brothers here from abroad, they would get a bachelors degree free of charge room, board and tuition. The superiors sent, Germans, Italians, Spanish, Mexicans, so we had an international flavor among the student brothers. It was very interesting.

JA: You mention the physical aspect as part of your education. You had gardens and some livestock on this campus?

JLRB: Yes, when we came, actually, where Donnelly is, was a huge cornfield. In front of the chapel, between St. Peter's and the Gate house was a huge cornfield; immediately in front of the chapel that little lawn, was a string bean field, just immediately to the north of the chapel was all gardens, tomatoes and so on. Then across the highway there for the water works, then we had pigs, at one time we had chickens, rabbits were there. Brother Paul Stokes, of course with the chickens and suet, you get rats. Brother Paul Stokes, who is a legend here, had a gun, registered; and he used to love to go out on a Sunday morning and knock off a couple of rats. [Laughter] We had the pigs. Early on, in the forties and early fifties, we had two German Brothers that were here, they entered the United States when war broke out, so they were interned immediately as German citizens. We were able to get them on campus; they took care of livestock. The gardens were headed by Brother Abelus who died at about age ninety-four, I think, great guy. We always wondered why he didn’t teach; he was very bright and an avid reader. Somehow he was in charge of all the gardens and so we would have that employment say Wednesday afternoon, or Saturday afternoons we would work and hoe and weed and grow a lot of our own needs. There was also the physical aspect, well we mentioned the sports and the construction, this is all veryhealthy, although evidently when the flu went around in a common dorm, practically everybody would come down with it for a couple of days, group living, you know. They were good years, they were very good years. We would have, you know living together the way we lived together, and all male; you needed a good psychologist in charge. Brother Paul was good. He was a very good man and he knew when we needed a break and we would have as a New Englander, I never heard of St. Patrick until I got here, and we always wrote skits, we wrote our own skits and performed them and learned songs for St. Patrick’s, for St. Cecilia; at the end of November, she's the patroness of musicians, so we would always have a big musical festival for their feast day. Then we would have Christmas, the singing here was superb, in fact in the early sixties, Alex Sanders, John R Ritschdorff, and two others, that would have been around sixty-six I would say, sixty-five, sixty-six were given a CBS record contract. They would have had to be released for two years to promote it around the country; and so we said "No." Ritschdorff played the base violin and Sanders was a guitarist; then there was a drummer and another one; there were four of them. There was lots of talent and lots of people to write as well and singing. We used to have a Christmas midnight mass here on campus and it became jammed pack, so much that people had to get tickets ahead of time to get in. The singing was super, super. It was a well-rounded education, sports and arts, the only thing evidently we didn't have movies to often, we would get… Brother Paul would get a movie every now and then and if there was a kissing scene, he would put his hand in front of the projector. [Laughter]

JA: Do you have a special fondness for any of the buildings since you helped in the construction of so many?

JLRB: My construction actually was here on the gym and then five summers in Esopus. I didn't work on the chapel, LaPietra did and Andy Molloy and they worked on the chapel, Mo Bibeau must have also. When I came from Europe in fifty-nine, we were just completing Donnelly, I did a little work on Donnelly. Brother Niles was very experimental, he loved the imaginative, he loved the creative, and he loved to experiment. The front glass, near the west lets say of Donnelly was all stained glass windows; it was gorgeous. It lasted maybe ten years, fifth-teen years at most and then the glue that was used was not adaptive to our winters and eventually the glass had to be replaced. There are still pictures of that and of course at night, lit up, it was stunning. I worked a little on Donnelly, I actually did the most work on Champagnat Hall the theater. I was moderator, with Jim Britt, was director and then when we were building Champagnat Hall, somebody had to input on the theater. Ritchie Foy said, "well Joe, why don't you go to Vassar and go to Bennett", because Bennett College at that time was thriving, it was very, very artistic. So there was a… at Bennett who gave us lots of information on how to build a theater. Then there was Norris Houghton at Vassar that gave us lots of information, time and energy all for free it's only later that I found out that Norris Houghton was internationally famous. He and a buddy had founded experimental theater I think, and then they played worldwide. They were just magnificent people no snobbishness, Vassar has been very helpful, extremely helpful. For our research, you know people getting their library card, they have a phenomenal library. They came in and they helped make decisions on fly space, on the light panel board, on the green room and that was all decided by Vassar and Bennett. We have Paul Canin the architect, had remembered a friend, a specialist in acoustics, from I think Stevens Cooper Union so he contacted him and he did the acoustics in our theater they are perfect. They are very, very good acoustics. We would want more wing space, side space, but we just couldn’t do it. there's just so much money, so much space but we have excellent fly space, we have excellent green room space and we have good lighting form the sides as well as from up above the theater. I was involved a lot with that, and then at the end when that was finished, Linus said "Why don't you take him out to dinner?” There was a good restaurant just where the courthouse stands now, Boar's Head Restaurant. We had a good meal and that was their thank you and their stipend for extraordinary consultant ship. We were naïve in those days I guess, they knew we didn’t have money, and they knew we were not a threat or a competitor and they were very happy to help us out. We had what should be mentioned here, was relations with the community. The brothers had built a six-foot wall in nineteen eighteen that cut off the whole property from the outside and it’s in nineteen sixty-five or sixty-six, then Ed Cashin, academic vice president at that time and Linus decided that that was the wrong image to project; and so it came down. So there was no wall there at all, until Dennis put up the beautiful iron fence that's there now. We did that, well for security reasons, for crossing the highway and then also, people were coming in before Christmas and taking some of our lovely Christmas trees, some pine trees, and cutting them. That fence today reminds me of Yale, if you've been to Yale, they have something similar and it gives us class, I think. The other wall was to forbidding, it was so solid and it was way up.

JA: I would like to talk a little bit about your career as a professor; I know you taught a variety of classes; would you talk about a few of your favorites?

JLRB: Yes, when I, when we came here, of course to get the place started we were all family and we worked our tails off. We were teaching five courses a semester instead of four and we were working committees; we were commuting to New York City to finish doctorates. It was really, when you look back on it, my office was in the southwest corner of St. Peter's, upstairs, that was my room and whatever office space we had at that time. I was teaching a combination of English and French, I came here primarily for French, but I did teach lots of English. Then I got into literature in general and taught, I would have to say that my favorite courses were certainly nineteenth and twentieth century French poetry and theater. I did that for twenty years, twenty-five years. Madame Greg had the novel and criticism essays, I had the poetry and theater. I just loved the similes poetry and then I loved Greek Tragedy, I taught a lot of Greek Tragedy. The Greeks have said it all, beautiful. Maybe like Shakespeare, a little too difficult, too mature for college students. Difficult for them to appreciate. One day this woman, about forty years old I guess, eight o'clock class, walked up after one particular lecture, Socrates, I think it was and she said, "Thank you very much Brother Joseph, you have just cleared up fifteen years of my life." I said "well, madam, tell this young lady in the back seat there who hates every minute of this class." Greek Tragedy is just phenomenal. Then my French civilization course was a course in history of ideas, it was French, but in so much of western civilization, France is at the heart of Europe, for better or for worse. I believe that all formation, all intellectual formation has to include information. You have to have time frame, you have to know what seventeen eighty-nine is, you have to know what fifteen fifteen is, you have to have a time frame in which to situate the rest. So, I usually give them that time frame and then I had lots of slides, I had about eight hundred or a thousand slides. So we did art civilization; includes social history, political history, religious history and cultural history. We would touch upon those four aspects in the course of the two semesters. Students, generally speaking, liked that course very much. They liked literature, I had small classes, not too many people. I had bright students because bright students are not afraid of life. They don't have to major in communications or computers; they can major in philosophy, they can major in French and they are not going to worry. I had a bright national merit kid, Paul Tilton, who was on the math team at Roosevelt and had gone to Boston University, and then transferred here after one semester. Very bright, and I asked him why he was majoring in French, and he just shrugged his shoulders and said, "Well, I don't think I have it in me to learn anything else." That's cocky; he's at IBM now in North Carolina. Then I had another national merit kid, Susan from Red Hook, and extraordinary girl. Bright, and very delicate emotions, very astounding. She went to Bard in senior year, because she really wasn't mature enough for sophomore and junior, any way, five years after graduation, we used to, I don't know if they still do, send out a questionnaire to the language majors and asks them what your major was and if you had to repeat college, would you still major in French, German, Russian, and she said, "Yes, French." And then, what did you get out of your major; she answered in four words, I learned to think. I said, "That's it, that's what it's all about." The rest you can handle by yourself, if I can force you and teach you to think, that's the job of a teacher. Really, very, very critical, and we did that with the French method of teaching literature. It's textual explication, take a paragraph, take a stanza and tell me what it means. Don't look up any books, I don't want the history of the poem or the history of the novel or the biography of the author; that's all good, secondarily. Right now, tell me what the author says on this page. It's a very, very good method, and then you can give the same passage to the whole class all seven or six of them. When they have each done their work, you can share and everybody can see, wow, I didn't see that, how come you thought of that? Well, personal experience, projects what you will see. Everybody saw something that somebody else didn't see. It was just very good. We had socials, we had French dinners and we had trips to New York City, to either Carnegie Hall for music or to the Metropolitan to the Cloisters for art, we just had great kids. Of course I was spoiled, I had small classes and then we had to teach something else in order to get body count and earn my keep. So, I got into College Writing I and II and then eventually into World Cultures. It's unfortunate they no longer have World Cultures, I replaced Kotschar in Human Geography, the greatest, one of the two or three greatest courses at Marist. Times move on and change. I have been extremely happy, with my teaching, not always with administration.

JA: Is there anything that we haven't discussed that you would like to talk about?

JLRB: I think we have done pretty much everything. The McCann Cemetery, lets say when the decision was made in sixty-six-I guess, to bury the cemetery because we had to build the McCann Center; it was made for several reasons. The primary one I think was financial, it would have cost about a million dollars to disinter and transfer to Esopus. So that was prohibitive. We could not do what Georgetown did; build a fence around it and sink it. We would have exposed ten feet below ground; Georgetown did that. But they are not, the Georgetown Jesuits Cemetery is not in the way of anything, so we did not have that option. The decision was made with all approval or needed approvals, to bury it. Now that offended many, many brothers. It offended them a lot. It's sixty-six and there was no healing done before eighty-six, when we celebrated the Centenary of the Brothers in the United States, and we got Brothers here, back to this campus who had not been here in twenty years. They absolutely refused. So that was a very difficult point, but I still think it was the right decision. Another decision that was made, and some people, including those who made the decision, think it was wrong. At that time of course, they thought it was right, and that was secularizing Marist

JA: The transfer of…

JLRB: No, transferring it to the Board of Trustees, we had to and that was good; but many Catholic Colleges in New York State misinterpreted the requirement for Bundy Money. They thought that you had to be non- sectarian to qualify for Bundy Money when actually, legally, all you have to be is independent. There is a significant difference. Independent, you can be Independent Catholic, Independent Jewish, and Independent Methodist, provided the faith does not dictate the college policies. So we could still be Independent Catholic and let's say for the image, I would not want Marist College for example, fifty years from now to be known as Bard College. Now Bard started out as religious, Episcopalian I think, and has completely lost that character. I don't know where the character of Marist College is going; the next president could very well be non-Catholic and that would be I think the real cut off with the roots and heritage. Who knows, well we’ll have to wait and see where it goes, but I have been trying to get President Murray to change the Mission Statement, the Charter, to Independent Catholic, but he doesn't want to do that. He’s afraid to offend people, but I don't think people would be offended at that at all, but I'm not President.

JA: Do you have any advice for future students at Marist College?

JLRB: Yes, when I was thinking that over, I thought the best advice we could give them is what President Murray has been repeating about the heritage of Marist, and that is that you are educated for the benefit of society, for the benefit of your country and the world. You are not educated primarily to become rich and selfish. That was emphasized to me during my stay in China. I had several incidents there that were very stunning; when you asked students what they want to do with their life, their education, and several students answered, "I want to make China a better place." Very interesting. In another instance, we were asking students to define power and two of my students in China defined power as the ability to help others. Very interesting. That's the message I would give to Marist students, that nobody goes it alone. If we don't pay to get up, we will all hang separately. That's Benjamin Franklin, and very, very important that we are given what we have for the benefit of humankind and not just for our own well-being. We will see and well I think September 11 has brought back home very, very forcibly and Martha Ray last week, you know the rich countries are finally considering doing something for the poor countries. You have to; the best way to attack terrorism is to make people happy and satisfied. If they are not happy and satisfied, we are not safe from terrorism.

JA: Ok, well thank you very much.

JLRB: You're welcome John.

“END OF INTERVIEW”



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last updated on December 5, 2005